Pierre Bonnard was a French painter and printmaker, as well as a founding member of the Post-Impressionist group of avant-garde painters Les Nabis. Bonnard preferred to work from memory, using drawings as a reference, and his paintings are often characterized by a dreamlike quality. The intimate domestic scenes, for which he is perhaps best known, often include his wife Marthe de Meligny.?Bonnard has been described as "the most thoroughly idiosyncratic of all the great twentieth-century painters", and the unusual vantage points of his compositions rely less on traditional modes of pictorial structure than voluptuous color, poetic allusions and visual wit.
皮埃爾-博納爾(Pierre Bonnard)是一位法國(guó)畫家和版畫家廊勃，也是后印象派前衛(wèi)畫家團(tuán)體納比派(Les Nabis)的創(chuàng)始成員懈贺。博納爾喜歡根據(jù)記憶進(jìn)行創(chuàng)作，以圖畫作為參考坡垫，他的畫作往往具有夢(mèng)幻般的特點(diǎn)梭灿，最著名的親密家庭場(chǎng)景往往包括他的妻子馬特-德-梅里尼。?博納爾被描述為 "二十世紀(jì)所有偉大的畫家中最特立獨(dú)行的人"冰悠，其構(gòu)圖中不尋常的視點(diǎn)較少依賴傳統(tǒng)的繪畫結(jié)構(gòu)堡妒，而是依靠豐滿的色彩、詩意的暗示和視覺機(jī)智溉卓。
The woman in this painting is likely Bonnard’s wife, Marthe de Méligny, who is putting on black stockings as her toffee-colored hair frame her face in several of the artist’s works.Known for his bold use of color, Bonnard sets his model against a rich gold background, her figure defined with hints of green and blue that separate her limbs from the sea of fabric. A sense of movement is created through the waves of tousled hair and organic form of the serpent-like stocking waiting to be put on.
這幅畫中的女人很可能是博納爾的妻子梅利尼皮迟，在畫家的幾幅作品中，她都在穿黑色絲襪桑寨，太妃糖色的頭發(fā)勾勒出她的臉龐伏尼。博納爾以大膽用色彩而聞名，他把模特放在飽滿的金色背景前尉尾，她的身材以淡淡的綠色和藍(lán)色界定爆阶，將四肢與大片的織物分開。凌亂的頭發(fā)和等待被穿上的蛇形長(zhǎng)襪的形狀創(chuàng)造出一種運(yùn)動(dòng)感。
We present today's work thanks to the Cleveland Museum of Art.?:)
感謝克利夫蘭藝術(shù)博物館與我們分享今天的畫作辨图。:)
