Like most students of the most famous Russian realist painter, Ilya Repin, Olga Della-Vos-Kardovskaya was a passionate portraitist. She herself painted many acclaimed images of Anna Akhmatova, Nikolay Gumilyov, and Dmitry Kardovsky. Based on a portrait of the artist’s daughter, Little Woman is tinged with retrospectivism. The ten-year-old model peers inquisitively at her own reflection in an old mirror. The girl is depicted in the sunlit environment of a mid-19th-century manor house, surrounded by various elegant objects—silent witnesses of the past.
和俄國(guó)著名現(xiàn)實(shí)主義畫家伊利亞-列賓（Ilya Repin）的大多數(shù)學(xué)生一樣，奧爾加-德拉-沃斯-卡多夫斯卡婭（Olga Della-Vos-Kardovskaya）是一位充滿熱情的肖像畫畫家弄跌。她為安娜-阿赫瑪托娃(Anna Akhmatova)、尼古拉-古米里約夫(Nikolay Gumilyov)和德米特里-卡多夫斯基(Dmitry Kardovsky)創(chuàng)作了許多備受贊譽(yù)的作品》觳茫《小女人》以藝術(shù)家女兒的一幅肖像畫為基礎(chǔ)，帶有一絲回顧主義色彩足绅。10歲的小模特好奇地凝視著自己在一面舊鏡子里的倒影捷绑。女孩身處一座19世紀(jì)中期的莊園里，陽(yáng)光明媚氢妈，周圍環(huán)繞著各種優(yōu)雅的物品——是過去的無(wú)聲見證粹污。
For many Russians living in the early 20th century, this world was associated with the Ivan Turgenev period. It was perceived as an embodiment of a lost beauty, harmony, and humanity, subtly expressed in Andrei Bely’s Gold in Azure cycle of poems and the prose of Ivan Bunin. As in the works of the other Neo-Romantic artists of St. Petersburg, Little Woman whimsically intertwines the past and the present, admiration for the charm of youth, elegiac sorrow at the swift passage of time, and reflections on the continuity of the generations.
對(duì)于許多生活在二十世紀(jì)初的俄羅斯人來(lái)說，這個(gè)世界與屠格涅夫時(shí)期緊密聯(lián)系在一起首量。它被認(rèn)為是一種失落的美壮吩、和諧和人性的化身，在安德烈-貝利的《天藍(lán)色的黃金》系列詩(shī)歌和伊萬(wàn)-布寧的散文中得到了微妙的表達(dá)加缘。與圣彼得堡其他新浪漫主義藝術(shù)家的作品一樣鸭叙，《小女人》奇妙地將過去與現(xiàn)在、對(duì)青春魅力的贊美拣宏、對(duì)時(shí)光流逝的悲嘆沈贝、對(duì)世代延續(xù)的思考交織在一起。
We present today's masterpiece thanks to the State Russian Museum in St. Petersburg, Russia. :)
感謝俄羅斯國(guó)家博物館與我們分享今天的這幅杰作勋乾。:)
