Interview: Armie Hammer, Timothée Chalamet and Luca Guadagnino on What Made “Call Me By Your Name” Such a Special?Film
Many of you might remember the old and beloved film called “Love Story” written by Erich Segal (also based on his novel) and gloriously directed by Arthur Hiller. As a quick reminder – it is a tragic love story about Jenny and Oliver who come from different backgrounds. Their journey begins with high anticipation of a beautiful life ahead of them but is cut short tragically.
There is a reason why I have reminded you of Hiller’s film before writing about Luca Guadagnino’s “Call Me by Your Name”. There are several parallels I can draw between these two films: both are based on novels; ?both have unforgettable soundtracks and splendid storylines; flawless performance in both films shapes subtly the relationship between two individuals. Once you watch Oliver and Elio (portrayed by Armie Hammer and Timothée Chalamet) on the screen, I’m sure you’ll wish that all love stories are told in the same uncompromising way.
I did not mention anything about the gender of the characters on purpose. This film is shot and narrated in such a way that it does not matter at all. “Call Me By Your Name” talks about love and respect. And I believe prejudices will always have a shorter life to live. Every human being is entitled for a right? for love and to be loved. Nobody can take it away – now or ever. Thanks to “Call Me By Your Name” for capturing it in such a humble way.
During Toronto International Film Festival, I had a great pleasure to attend a round table interview with Luca Guadagnino? – the director of “Call Me By Your Name” and the actors Armie Hammer and Timothée Chalamet. I had a chance to ask questions to give me a better idea about behind-the-scenes of the most fantastic and magical film of the year.
你們中許多人可能會(huì)記得埃里希西格爾（Erich Segal）（也是基于他的小說）所寫的一部名為“愛情故事”的老電影，并由阿瑟·希勒光榮地執(zhí)導(dǎo)。作為一個(gè)快速提醒 - 這是一個(gè)關(guān)于Jenny和Oliver來自不同背景的悲劇愛情故事尽棕。他們的旅程始于對(duì)他們前方美好生活的高度期待碱蒙，但不幸地被切斷了。
有一個(gè)原因讓我在寫關(guān)于Luca Guadagnino的“用你的名字呼叫我”之前提醒你Hiller的電影。我可以在這兩部電影中找到幾種相似之處：都是基于小說;?都有令人難忘的配樂和燦爛的故事情節(jié);?兩部電影的無瑕表演巧妙地塑造了兩個(gè)人之間的關(guān)系。一旦你在屏幕上觀看了Oliver和Elio（由Armie Hammer和TimothéeChalamet所描繪），我相信你會(huì)希望所有的愛情故事都以同樣不妥協(xié)的方式被告知充易。
我沒有提到任何關(guān)于故意使用角色的性別。這部電影是以這樣一種方式拍攝和敘述的荸型，它根本不重要蔽氨。“通過你的名字打電話給我”談?wù)搻酆妥鹬亍Ｎ蚁嘈牌娍偸菚?huì)縮短生活的壽命鹉究。每個(gè)人都有權(quán)獲得愛和被愛宇立。沒有人可以把它拿走 - 現(xiàn)在或過去。感謝“通過你的名字呼叫我”以這種卑微的方式捕捉它自赔。
在多倫多國際電影節(jié)期間妈嘹，我非常高興地出席了與Luca Guadagnino--“Call Me By Your Name”的導(dǎo)演和演員Armie Hammer和TimothéeChalamet的圓桌采訪。我有機(jī)會(huì)提出問題绍妨，讓我更好地了解一年中最神奇和最神奇的電影幕后故事润脸。
MOVIEMOVESME:? My first question is to you, Me. Guadagnino. Luca. What has inspired you to adopt André Aciman’s novel into a film?
Luca Guadagnino:?I think the reason of making this movie for me was really and literally to making with the people I decided to make it. And not because the book didn’t inspire me but my approach to the book was the one from perspective of producer. And I was a producer until I became a director, but I was a producer for many years. So I never had this kind of tension to all the book, like I want to tell this story. And then when thing collided together, and they said, do you want to do this movie and I said yes if I can do it with Timothée Chalamet and Arnie and Michel Stoolberg and the rest of the cast. So it was about for me the possibility of being with them.
MOVIEMOVESME：我的第一個(gè)問題是你，我他去。Guadagnino毙驯。盧卡。什么激勵(lì)你將安德烈阿克曼的小說融入電影中灾测？
Luca Guadagnino：我認(rèn)為為我制作這部電影的原因?qū)嶋H上是和我決定制作的人打交道爆价。并不是因?yàn)檫@本書沒有啟發(fā)我，而是我對(duì)這本書的看法是從生產(chǎn)者的角度來看媳搪。直到我成為導(dǎo)演之前铭段，我一直是制片人，但我多年來一直是制作人秦爆。所以我從來沒有對(duì)這本書感到緊張序愚，就像我想講這個(gè)故事一樣。然后當(dāng)事情相互碰撞等限，他們說爸吮，你想不想拍這部電影，我說是的望门，如果我可以和TimothéeChalamet形娇，Arnie和Michel Stoolberg以及其他演員合作。所以我想要和他們?cè)谝黄鸬目赡苄浴?/p>
MOVIEMOVESME: And, Timothée, what kind of work you both needed to do in order to maintain that great chemistry which turned into one of the best and greatest love story?
Timothée Chalamet:?Thank you. There was a massive amount of vulnerability and openness and exposing yourself and emotions and all of that. There was such a requisite amount of that that was needed to make this movie work, that it honestly wouldn’t have worked if we didn’t have the immense feeling of safety and protection on set with each other, with Luca, with the crew with everybody around. There was never anything happening that felt unsafe or felt like it violated our trust of, I mean the entire process felt like we were not only in the best hands that we could possibly be in, but that we were also taken care of and protected in such a way that not only did we feel comfortable in sort of opening ourselves up and exposing that, but I mean, honestly we wanted to.
MOVIEMOVESME：Timothée怒允，為了保持那種變成最好最偉大的愛情故事的偉大化學(xué)品埂软，你們都需要做哪些工作锈遥？
TimothéeChalamet：謝謝纫事。有大量的脆弱性和開放性，暴露你自己和情緒所灸，以及所有這些丽惶。制作這部電影需要一定的必要數(shù)量，如果我們沒有相互之間的巨大安全感和保護(hù)感爬立，盧卡與機(jī)組人員一起工作時(shí)钾唬，它實(shí)際上不會(huì)奏效與周圍的每個(gè)人。從來沒有發(fā)生過任何感覺不安全或感覺違反我們信任的事情，我的意思是整個(gè)過程感覺我們不僅處于我們可能處于的最佳狀態(tài)抡秆，而且我們也受到了照顧和保護(hù)這樣一種方式奕巍，不僅讓我們感到舒服，而且讓我們敞開心扉儒士，但我的意思是的止，我們誠實(shí)地希望。
MOVIEMOVESME: How did the shootings go? How was it to shoot a film in Italy?
Timothée Chalamet:?The opportunity to shoot in Italy, which on another project would be the biggest reason to do something, but on this was almost the smallest, because above that was the opportunity to work with Luca and because I had seen “I Am Love“ before I even got the chance to meet with him. And then after being attached to “A Bigger Splash” came out during that period, the opportunity to work with Armie Hammer, who people of my generation, the social network, that’s a really formative film Autzman Swartz material that holds such a special place in so many people’s hearts and James Ivory’s screenplay and getting to work with all of these different facets. And trusting Luca from films past incorporate just the coolest and most innovative ideas in people.
It wasn’t a surprise, and yet it was an awesome surprise when he said that Sufjan Stevens had made music for the film because Sufjan, again for people my age – I guess people any age – he’s a brilliant, brilliant musician. So to have his music for the film and have it while I was shooting during the last scene, we had it playing while we did it, it was challenging, and yet it all went very smoothly.
MOVIEMOVESME：槍殺是怎么發(fā)生的着撩？如何在意大利拍攝電影诅福？
TimothéeChalamet：在意大利拍攝的機(jī)會(huì)是另一個(gè)項(xiàng)目的最大理由，但在這方面幾乎是最小的拖叙，因?yàn)樯厦媸桥c盧卡合作的機(jī)會(huì)氓润，因?yàn)槲以催^“我很愛“在我還沒有機(jī)會(huì)與他見面之前。然后在那個(gè)時(shí)期出現(xiàn)“更大的飛濺”后薯鳍，與Armie Hammer一起工作的機(jī)會(huì)咖气，我的這一代人，社交網(wǎng)絡(luò)辐啄，這是一個(gè)真正的成型電影Autzman Swartz材料采章，在這樣一個(gè)特殊的地方許多人的心和James Ivory的劇本，并開始與所有這些不同的方面合作壶辜。從過去的電影中相信盧卡將最酷和最具創(chuàng)意的想法融入人們的視野中悯舟。
這并不令人意外，但當(dāng)他說Sufjan Stevens為這部電影制作音樂時(shí)砸民，這真是一個(gè)驚人的驚喜抵怎，因?yàn)镾ufjan對(duì)我這個(gè)年齡段的人來說也是如此 - 我猜他們是任何年齡的人 - 他是一位出色的，出色的音樂家岭参。因此反惕，當(dāng)我在最后一幕中拍攝時(shí)，為他的音樂制作音樂演侯，并在拍攝時(shí)播放了它姿染，我們?cè)诓シ艜r(shí)播放了它的音樂，這非常具有挑戰(zhàn)性秒际，但一切都很順利悬赏。
MOVIEMOVESME: People often ask questions about filming the love scenes. I wonder how it feels the moment when the director calls “cut”? How the two of you reacted?
Armie Hammer:We’d keep going.
MOVIEMOVESME：人們經(jīng)常會(huì)問關(guān)于拍攝愛情場(chǎng)景的問題。我想知道導(dǎo)演稱之為“剪輯”的時(shí)刻感覺如何娄徊？你們兩個(gè)人的反應(yīng)如何闽颇？
Armie Hammer：?我們繼續(xù)。
MOVIEMOVESME: You’d keep going? I was thinking there’d be an answer like that in there somewhere, but I can imagine it’s a complicated thing. You must have a fairly loose relationship on set with somebody that you have to pretend to have a deep relationship with.
Armie Hammer:There’s a lot of intimacy in this movie, but the intimacy that seemed harder or more challenging wasn’t the physically intimate stuff, it was the emotionally intimate stuff. It was being face to face with someone on camera with a camera extremely close and feeling like you are in a place where you can be vulnerable, and you can … you know, it’s funny, if you’re making a movie and you have an outside perspective of it, it probably looks completely ridiculous. Everything that’s going on, people rushing around, people this and that, people yelling out terms you have not idea what they’re saying, what they actually mean.
This was an experience where I remember when we had intimate scenes between us, whether they be in bed or wherever, the thing that really was a big moment for me was we finished one of the takes and Luca called cut and I remember looking around, because I wasn’t wearing any clothes, and I remember looking around and sort of feeling exposed. And I looked over at the sound guy and he was just holding the boom like usual and then I looked over and the script supervisor had her book like usual and the guy at the camera was doing everything like usual and the focus boy was doing everything like usual and it hit me this is doing our job. This is the same as that scene, that is the same as that scene, let’s do it again. And then-Yeah. But more than that it was like I’m so happy this is all part of this beautiful experience that we’re doing. I remember at one point we finished shooting a scene and someone was like do you want a robe and I was like no, I’m okay. And they were like are you sure? Yeah, I’m okay. You know you just … any fear, anything that was built up by it was all in my head and as soon as we started it all went and away and just became this beautiful, natural part of it.
Armie Hammer：?這部電影里有很多親密的寄锐，但似乎更難或更具挑戰(zhàn)性的親密不是親密的東西兵多，它是情感上親密的東西尖啡。這是與相機(jī)上的某個(gè)人面對(duì)面，相機(jī)非常接近剩膘，感覺就像你處在一個(gè)容易受到傷害的地方衅斩，而且你可以......你知道，這很有趣怠褐，如果你正在拍電影矛渴，而且你有一個(gè)它的外部視角，它可能看起來完全荒謬惫搏。發(fā)生的一切具温，人們奔忙，人們這樣那樣筐赔，人們大吼大叫你不知道他們?cè)谡f什么铣猩，他們實(shí)際上的意思。
這是一段經(jīng)歷茴丰，我記得我們之間有親密的場(chǎng)面达皿，無論他們是在床上還是在任何地方，對(duì)我來說真正重要的一刻就是我們完成了其中一次比賽贿肩，而盧卡稱為切入峦椰，我記得四處張望，因?yàn)槲覜]有穿任何衣服汰规，我記得環(huán)顧四周汤功，感覺暴露。然后我看著那個(gè)聲音的家伙溜哮，他只是像往常一樣舉起熱潮滔金，然后我看了一眼，劇本主管像往常一樣拿著她的書茂嗓，鏡頭里的家伙像往常一樣做著一切事情餐茵，焦點(diǎn)男孩做的一切都像通常，它打我述吸，這是我們的工作忿族。這和那個(gè)場(chǎng)景一樣，就是那個(gè)場(chǎng)景蝌矛，讓我們?cè)賮硪淮蔚琅Ｈ缓?- 是的。但更重要的是朴读，我感到非常高興屹徘，這是我們所做的美好體驗(yàn)的一部分走趋。我記得有一次我們拍完了一個(gè)場(chǎng)景衅金，有人就像是你想要一件長袍，而我是不是，我沒事氮唯。他們就像你確定鉴吹？是的，我沒事惩琉。你知道你只是......任何恐懼豆励，任何由它構(gòu)成的東西都在我腦海中，只要我們開始瞒渠，一切就消失了良蒸，并成為這個(gè)美麗自然的一部分。
MOVIEMOVESME: Mr. Guadagnino, could you tell a bit about your collaboration with James Ivory? Did you approach him or how did the collaboration started?
Luca Guadagnino:?I’ve known James for many years and we’re friends before being collaborators and it was a chance of life. Like he was coming to see me in Crema many times and we both were involved into this movie as producers and then one day because the movie wasn’t happening without directors, we said why don’t we try to imagine the way we would do it and it was like snapping peas at the kitchen table that lead us to writing this great in really almost a moonlighting fashion. It wasn’t a job it was the chance to be together in doing it. I grew up really worshiping artists in my life. I come from a simple family in Palermo, but I always dreamt of meeting the artists I adored and I admired and one of the reasons why every time I complain with something for myself about my life I have to be severe with myself and tell my self you are luck because you have the chance and the luck to have fulfilled your adolescent dreams of meeting the artists you love. And even to dram making things together, so it’s great, it’s a privilege.
MOVIEMOVESME：Guadagnino先生伍玖，你能否介紹一下你與James Ivory的合作嫩痰？你有沒有接近他或合作是如何開始的？
Luca Guadagnino：我認(rèn)識(shí)詹姆斯多年窍箍，在成為合作者之前我們是朋友串纺，這是一個(gè)生活的機(jī)會(huì)。就像他在克雷瑪多次見到我一樣椰棘，我們兩人都以制片人的身份參與了這部電影纺棺，然后有一天，因?yàn)檫@部電影不是沒有導(dǎo)演的情況下發(fā)生的邪狞，我們說為什么我們不試圖想象我們會(huì)怎么做它就像在廚房餐桌上掰豌豆祷蝌，這導(dǎo)致我們真的幾乎是以一種月光的方式來寫這篇文章。這不是一份工作帆卓，而是有機(jī)會(huì)在一起工作杆逗。我成長的時(shí)候真的很崇拜藝術(shù)家。我來自巴勒莫一個(gè)簡單的家庭鳞疲，但我總是夢(mèng)想見到我崇拜的藝術(shù)家罪郊，我很欽佩的原因之一，為什么每次我為自己抱怨我的生活時(shí)尚洽，我必須對(duì)自己感到嚴(yán)峻悔橄，告訴我自己你是幸運(yùn)的，因?yàn)槟阌袡C(jī)會(huì)腺毫，幸運(yùn)地實(shí)現(xiàn)了你滿足你所愛的藝術(shù)家的青春夢(mèng)想癣疟。甚至為了共同努力，這很棒潮酒，這是一種特權(quán)睛挚。
MOVIEMOVESME: How important is the period to this story? Not just to the acceptability of the relationship, but also in regards to the society.
Luca?Guadagnino: But I don’t think this is a movie in which we are putting a light on acceptability or forbidden love. I think that any movie lives in the eyes of who watch the movie and in their way of watching the film, so I don’t want to censorship anyone perspective, but from my perspective, this is not a movie about forbidden love at all. First of all, I happen to be a person who enjoy the physical company of a man in my personal life. And so there is nothing forbidden about that to me and so it’s the most normal and accessible and suiting thing I can happen to do in my intimacy. So it’s foreign to me to love or to make love to a man it’s forbidden. And at the same time, I don’t think that Elio and Oliver will live in the space in which they are living, hiding. If they put themselves into an alley instead of putting themselves in front of a large group of people staring at them is because they save very much the moment of their intimacy. So the idea of this film and I would say also the idea of Asimov’s book doesn’t lie in the cannon of the forbidden love and the constrictions of society.
MOVIEMOVESME：這個(gè)故事的時(shí)期有多重要？不僅僅是關(guān)系的可接受性急黎，也關(guān)系到社會(huì)扎狱。
盧卡?Guadagnino：但我不認(rèn)為這是一部我們正在關(guān)注可接受性或禁止愛的電影侧到。我認(rèn)為任何電影都在觀看電影和觀看電影的人眼中，所以我不想審查任何人的觀點(diǎn)淤击，但從我的角度來看匠抗，這不是一部關(guān)于禁止愛情的電影。首先污抬，我碰巧是一個(gè)喜歡我個(gè)人生活中男人的實(shí)體公司的人汞贸。所以對(duì)我來說沒有任何禁止，所以這是我親密接觸時(shí)最常見印机，最方便和最適合的事情矢腻。所以對(duì)于我來說，愛或禁止一個(gè)男人做愛是很陌生的射赛。同時(shí)踏堡，我不認(rèn)為埃利奧和奧利弗會(huì)住在他們所居住的空間里，躲藏起來咒劲。如果他們把自己變成一條巷子顷蟆，而不是把自己放在一群盯著他們的人面前，那是因?yàn)樗麄兎浅９?jié)省他們親密的時(shí)刻腐魂。所以這部電影的想法和我也會(huì)說阿西莫夫的書的觀點(diǎn)并不在于禁止戀愛的大炮和社會(huì)的束縛帐偎。
MOVIEMOVESME: How did you choose the actors or how did you come on board because the chemistry is so obvious…
Luca Guadagnino: Because I had great chemistry with them. I’m ignorant enough to think that if I have great chemistry they will have great chemistry between them. But I wasn’t jealous of their chemistry.
MOVIEMOVESME：你是如何選擇演員的，或者你是如何加入的蛔屹，因?yàn)榛瘜W(xué)過程非常明顯......
Luca Guadagnino：因?yàn)槲覍?duì)他們有很好的化學(xué)反應(yīng)削樊。我沒有足夠的認(rèn)識(shí)，如果我有很好的化學(xué)反應(yīng)兔毒，他們之間會(huì)有很好的化學(xué)反應(yīng)漫贞。但我并不嫉妒他們的化學(xué)反應(yīng)。
MOVIEMOVESME: I was wondering, people refer to it as the gay love story movie. Do you wish people would take away that tag and see it as a summer love story? I love that Luca said in the press conference – it might be a bisexual movie perhaps. And is that important in the time where in America the president is going backwards, especially in these terms of gender identity, sexuality, so forth?
Luca Guadagnino:?I think the president is a bitter person who is thinking of his own business all the time and he doesn’t have the poetic hope to see how beautiful is it to be unbiased and able to love no matter what is your gender. So I think in this way, maybe this is a political movie and it’s a sort of invitation not to be like this president. Probably should put that in the bio.
MOVIEMOVESME：我想知道育叁，人們把它稱為同性戀愛情故事片迅脐。你是否希望人們拿走那個(gè)標(biāo)簽并將其視為夏日愛情故事？我很喜歡盧卡在新聞發(fā)布會(huì)上說的 - 也許這可能是一部雙性戀電影豪嗽。在美國總統(tǒng)倒退的時(shí)代谴蔑，這一點(diǎn)非常重要，尤其是在性別認(rèn)同龟梦，性等方面呢隐锭？
Luca Guadagnino：我認(rèn)為總統(tǒng)是一個(gè)痛苦的人，他一直在考慮自己的事業(yè)计贰，他沒有詩意的希望看到钦睡，無論你的性別是什么，他都是不偏不倚躁倒，能夠愛的荞怒。所以我認(rèn)為洒琢，也許這是一部政治電影，這是一種不應(yīng)該成為這位總統(tǒng)的邀請(qǐng)挣输。可能應(yīng)該把它放在生物中福贞。
MOVIEMOVESME: To the actors, what is the biggest thing that you learned from each other during the filming?
Armie Hammer:?Stop me if you want to. Timmy has such a rich and beautiful almost complicated inner life that is so vibrant and so full and he’s able to keep it just under the surface in such a beautiful way where … it almost feels like while some things he is aware of as we all are, it’s almost like he’s just not aware of some things. And that openness and honesty is really, it’s great. I feel like maybe sometimes the tendency might be to try to guard yourself or protect yourself or hide. And I think watching Tim live in the scenes and watching it affect him, it was almost like an acting exercise.
Timothée Chalamet:?Ah, man.
Armie Hammer:Just hope my breath was goo.
Timothée Chalamet:? Yeah. I said this before. I feel like what I’ve learned with the great actors I’ve worked with, whether it’s Armie Hammer or Steve Carell or Louis Rabe, those lessons are almost – they’re hard to verbalize. It’s almost like subconscious or something. You take on the habits of other actors or the way I saw Michael Stuhlbarg take notes in this film, or the way I see Armie rehearse a scene before we go to it, those things stay with you. For me as it relates to Armie, the way he carries himself as a man, the way he carries himself as a father, the way he carries himself as a husband, it’s been such a crucial roadmap for me. The cliché of this business is that those road maps aren’t really there and those that are there are negative or devastating in some fashion. And I’m so lucky, you know, I did a film in LA this past year. LA’s never been a place that I feel very close to, but because Armie lives there, I felt like I was welcomed in with open arms and was introduced to a number of friends now that I wouldn’t have without him. And also, like I said, as a husband, again not to put pressure, but there is such love in this marriage between he and Elizabeth and there’s such love between Armie and his daughter, Harper, it’s very inspiring for me. It gives me hope for myself that love, being in love, marriage, these things don’t necessarily have bad or tragic or sterile endings; that these things can blossom beautifully the way it does in “Call Me By Your Name”.
Luca Guadagnino: I wanted to say something about Armie as a collaborative director. You can go up. Armie is a great catalyst. He’s like my partner in making sure the movie’s following a lead of optimism and concentration and generosity, I think. Not to take anything off of you my love, but it’s just that I found that partnership in making the movie with Armie, apart from the rest of which is him acting as Elio.
MOVIEMOVESME：對(duì)于演員來說撩嚼，在拍攝過程中彼此學(xué)到的最重要的東西是什么？
Armie Hammer：如果你想要阻止我挖帘。蒂米擁有如此豐富而美麗的復(fù)雜內(nèi)在生活完丽，如此充滿活力，充滿活力拇舀，他能夠以如此美麗的方式將它保持在表面之下......幾乎感覺到他在意識(shí)到某些事情的同時(shí)逻族，因?yàn)槲覀兌际牵@幾乎就像他只是沒有意識(shí)到一些事情骄崩。這種開放和誠實(shí)是真的聘鳞，這很好。我覺得有時(shí)候要拂，傾向可能是設(shè)法保護(hù)自己或保護(hù)自己或隱藏抠璃。我覺得看蒂姆活在場(chǎng)景中，看著它影響著他脱惰，這幾乎就像演技一樣搏嗡。
TimothéeChalamet：啊，伙計(jì)拉一。
Armie Hammer：?只希望我的呼吸是咕采盒。。
TimothéeChalamet：是的蔚润。我之前說過磅氨。我感覺就像我與我合作過的偉大演員學(xué)到的一樣，無論是Armie Hammer還是Steve Carell還是Louis Rabe嫡纠，這些課程都差不多 - 他們很難用語言表達(dá)悍赢。它幾乎就像是潛意識(shí)或其他東西。你接受其他演員的習(xí)慣货徙，或者我看到Michael Stuhlbarg在這部電影中記錄的方式左权，或者我看到Armie在進(jìn)場(chǎng)前排練一個(gè)場(chǎng)景的方式，那些東西就在你身邊痴颊。對(duì)我來說赏迟，因?yàn)樗婕暗桨⒚祝炎约鹤鳛橐粋€(gè)男人的方式蠢棱，他把自己當(dāng)作父親的方式锌杀，他把自己當(dāng)作丈夫的方式甩栈，對(duì)我來說這是一個(gè)非常重要的路線圖。這項(xiàng)業(yè)務(wù)的陳詞濫調(diào)是糕再，那些路線圖并不是真的存在量没，那些在某些方面是負(fù)面的或破壞性的。我很幸運(yùn)突想，你知道殴蹄，我在過去一年在洛杉磯拍過一部電影。洛杉磯從來不是一個(gè)我覺得非常接近的地方猾担，但是因?yàn)榘⒚鬃≡谀抢锵疲腋杏X自己像張開雙臂受到歡迎，現(xiàn)在已經(jīng)被介紹給一些朋友绑嘹，現(xiàn)在我不會(huì)沒有他稽荧。還有，就像我說的那樣工腋，作為一個(gè)丈夫姨丈，再一次不要施加壓力，但是他和伊麗莎白之間的這種婚姻存在著這樣的愛擅腰，阿米和他的女兒哈珀之間有這樣的愛构挤，這對(duì)我來說非常鼓舞人心。它給了我希望惕鼓，愛情筋现，戀愛，婚姻箱歧，這些東西不一定有壞的或悲慘的或無菌的結(jié)局;?這些東西可以像在“通過你的名字致電我”中那樣開花矾飞。作為一個(gè)丈夫，再次不要施加壓力呀邢，但是他和伊麗莎白之間的這種婚姻存在著這樣的愛洒沦，而且阿米和他的女兒哈珀之間有這樣的愛，這對(duì)我來說非常鼓舞人心价淌。它給了我希望申眼，愛情，戀愛蝉衣，婚姻括尸，這些東西不一定有壞的或悲慘的或無菌的結(jié)局;?這些東西可以像在“通過你的名字致電我”中那樣開花。作為一個(gè)丈夫病毡，再次不要施加壓力濒翻，但是他和伊麗莎白之間的這種婚姻存在著這樣的愛，而且阿米和他的女兒哈珀之間有這樣的愛，這對(duì)我來說非常鼓舞人心有送。它給了我希望淌喻，愛情，戀愛雀摘，婚姻裸删，這些東西不一定有壞的或悲慘的或無菌的結(jié)局;?這些東西可以像在“通過你的名字致電我”中那樣開花。
Luca Guadagnino：我想談?wù)凙rmie作為合作總監(jiān)阵赠。你可以走了涯塔。Armie是一個(gè)很棒的催化劑。我想豌注，他就像我的合作伙伴一樣伤塌，確保電影的樂觀主義和專注和慷慨灯萍。不要把我的愛帶走任何東西轧铁，但是我只是發(fā)現(xiàn)了與Armie合作拍電影，除此之外就是他扮演Elio旦棉。
MOVIEMOVESME: ?So I wonder, as you were trying to learn about your characters – Elio or Oliver – what do you think they found in each other that they were so fond of? What made them fall in love with each other?
Armie Hammer:?Go ahead, Timmy.
Timothée Chalamet: I think it’s … I think it would be almost indescribable. I don’t think it’s necessarily a shared activity or a shared passion, not that those are the requisites of love, but sometimes they are. I don’t think that’s necessarily the case here. Correct me if anything I’m saying is not of vision, but I think it’s almost more organic. It just flowers. One of my favorite part of Andre Aciman’s book, and we did it in the film too, is that Elio’s reaction to Oliver at first is that he’s actually a little put off and it’s like who’s this guy who’s walking around saying later. And from that place it lands in a romantic spot, but it doesn’t begin there. So, again it would almost be difficult to say what it was that brought them together.
MOVIEMOVESME：所以我想知道齿风，當(dāng)你試圖了解你的角色 - Elio或者Oliver時(shí) - 你認(rèn)為他們?cè)趯?duì)方發(fā)現(xiàn)他們喜歡什么？是什么讓他們彼此墜入愛河绑洛？
Armie Hammer：繼續(xù)吧救斑，Timmy。
TimothéeChalamet：我認(rèn)為這是...我認(rèn)為這幾乎是無法形容的真屯。我認(rèn)為這不一定是共同的活動(dòng)或共同的激情脸候，也不是這些是愛的必要條件，但有時(shí)候是這樣绑蔫。我認(rèn)為這不一定是這種情況运沦。如果我所說的任何東西都不具有遠(yuǎn)見，請(qǐng)糾正我配深，但我認(rèn)為它幾乎更有機(jī)携添。它只是鮮花。Andre Aciman的書中我最喜歡的部分之一篓叶，我們?cè)陔娪爸幸彩沁@樣做的烈掠，Elio對(duì)Oliver的反應(yīng)起初是因?yàn)樗麑?shí)際上有點(diǎn)拖延，就好像這個(gè)人走到哪里說的那樣缸托。從那個(gè)地方它落在一個(gè)浪漫的地方左敌，但它并不從那里開始。因此俐镐，再次說出將它們聚集在一起的內(nèi)容幾乎是難以置信的母谎。
