? 今天去了Neri&Hu(如恩設(shè)計(jì))十年展，也是前幾個(gè)月才知道如恩設(shè)計(jì)眨补，11月左右參加特贊的活動(dòng)見到了胡如珊管削，以為她是一個(gè)出道沒多久的設(shè)計(jì)師，后來查了下她得資料撑螺，頓時(shí)嚇尿含思，畢業(yè)于普林斯頓，2015英國的Wallpaper評(píng)出全世界Top100的設(shè)計(jì)師里甘晤，她和她得丈夫郭錫恩排在第22位含潘，并且創(chuàng)建了如恩設(shè)計(jì)和設(shè)計(jì)共和兩家公司。隨后在微博上看到十年展并且延期一個(gè)月的消息线婚，正好也對(duì)建筑非常感興趣遏弱，那必須得來了；
? 他們的公司很有特點(diǎn)塞弊，紅磚古老的閣樓和透明玻璃相結(jié)合漱逸，閣樓原來是民國時(shí)期英租界的公安局泪姨，難怪有一種莊嚴(yán)肅穆的感覺；展覽在三樓饰抒，一樓是和二樓基本都是買各種頂級(jí)設(shè)計(jì)的產(chǎn)品肮砾，和Uliving很像。三樓的展廳并沒有很大循集，基本都是如恩設(shè)計(jì)這十年所有的建筑作品唇敞，有酒店也有私人住宅，新天地的星巴克也是其中之一咒彤。
但今天最打動(dòng)我的是展廳門口的宣言疆柔，內(nèi)容如下：
十年很長，十年也很短镶柱。十年間旷档，一些城市鮮易容顏，而另一些也可能被徹底更新或鏟除歇拆；十年間鞋屈，有些人青春依舊，只不過是微笑時(shí)眼角會(huì)隱約出現(xiàn)細(xì)紋故觅，而有些人也許已經(jīng)判若兩人厂庇，絲毫不見曾經(jīng)的蹤跡。如恩設(shè)計(jì)的十年输吏，我們依舊慢慢前行在自己最開始設(shè)定的那條道路上权旷。這是一條我們知其意而不知其形的道路。我們知道自己前往的大致方向贯溅，但這條道路會(huì)是什么形狀拄氯，依舊是個(gè)遙遠(yuǎn)的迷。通過這次展覽它浅，我們回首過去的十年译柏，想再次問自己，我們是誰姐霍？
Ten years is a long time. Ten years is a short time. Some cities remain relatively the same in the course of ten years, while others may be completely uprooted or renewed. Some people may be unchanged exceprt for a few fine deepening their smiles, while others might take on an entirely new identity, devoid of any familiar traces. Ten years for Neri&Hu. Some aspects of our practice, the core essentials, persist resolutely, while other aspects, the impressionistic peripherals, have transformed beyond recognition. Looking back at the last ten years in an exhibition, we wanted to ask ourselves again, who are we??
我們堅(jiān)信建筑能夠成為文化生產(chǎn)和社會(huì)變革的范例鄙麦，通過高度情境化和跨學(xué)科的方法制造意義。
We strongly believe in architecture as a paradigm for culture production and social change, aiming to create meaning and signification through its highly contextual and inter-disciplinary approach to design.
我們把公司創(chuàng)立在上海镊折，一個(gè)混亂又多彩的城市黔衡。這里前所未有的城市發(fā)展速度迫使我們面對(duì)一個(gè)與記憶脫節(jié)，注重結(jié)果多于過程的城市腌乡。這已看似不幸的現(xiàn)實(shí)反而為我們創(chuàng)造了機(jī)會(huì)，讓我們重新思考適應(yīng)性再利用和歷史性建筑改造這些挑戰(zhàn)傳統(tǒng)模式和意識(shí)形態(tài)的問題夜牡。我們相信城市肌理和建筑記憶應(yīng)該被慎重的傳承与纽，傳承的手法應(yīng)該是適合當(dāng)?shù)貙?shí)際的時(shí)代精神侣签，而不僅僅是復(fù)制。通過細(xì)心處理和反復(fù)論證急迂，我們的許多完工項(xiàng)目實(shí)現(xiàn)了對(duì)歷史建筑的空間重塑影所，為老建筑注入生命。
We set up our practice in Shanghai, as colorful and as messy a place as one could hope for. The unprecedented speed of Shanghai‘s urban development forces us to confront to a city disconnected from its memory, a city that prefers deeds over deliberation. This somewhat unfortunate reality turns into an opportunity for us, provoking new ways of thinking about the issues of adaptive-reuse and historic restoration that challenge traditional modes and ideologies. We believe that urban fabric and architectural memory should be preserved with a critical and sensitive approach that exemplifies the zeitgeist within the specificity of our context, and is not merely reproduced. Through a delicate handling and negotiation of contradictions, we have shown in many built works the ?possibility of creating unexpected spatial experience in historic buildings, ?giving them new life.
我們相信在如此復(fù)雜的條件下僚碎，我們有必要對(duì)設(shè)計(jì)師的工作有更廣泛的定義猴娩。我們相信多樣性，相信它對(duì)多元化設(shè)計(jì)方法論的重新貢獻(xiàn)勺阐。因?yàn)楫?dāng)代的建筑問題已跨越傳統(tǒng)界限卷中，所以我們?cè)诟鞣矫娴脑O(shè)計(jì)都以建筑設(shè)計(jì)為主導(dǎo)。在過去的十年里渊抽，我們?cè)谔剿鹘ㄖO(shè)計(jì)的過程中蟆豫，完成了大量的產(chǎn)品設(shè)計(jì)，平面設(shè)計(jì)和室內(nèi)設(shè)計(jì)作品懒闷。一直以來十减，建筑師對(duì)空間的感悟和營造力都是我們研究的重心。
We believe that working under such complex conditions necessitates a boarder definition of our scope as designers. We believe in diversity and its profound contribution to creating an inter-disciplinary methodology for design. Because new sets of contemporary problems relating to building now extend beyond traditional boundaries, our practice embarrass architecture's supremacy in design thinking on all levels. Through our ten years of practice, we have shown extensive work in the realms of product design, graphic design, and interior design, alongside our architectural explorations. All the while, the architect's perspective on space and making is always at the center of our investigations.?
因?yàn)槊總€(gè)項(xiàng)目的情況不同愤估，所以我們堅(jiān)持把研究作為一種設(shè)計(jì)方法帮辟。就項(xiàng)目類型，現(xiàn)場(chǎng)條件玩焰，功能和歷史的關(guān)鍵性探討對(duì)嚴(yán)謹(jǐn)?shù)脑O(shè)計(jì)工作而言是必需的由驹。在研究的基礎(chǔ)上，我們希望我們的作品是體驗(yàn)震捣，細(xì)節(jié)荔棉，材料，形式和光的有趣互動(dòng)蒿赢，而不僅僅是一種固有的模式和風(fēng)格润樱。我們每個(gè)項(xiàng)目最根本的重要性在于如何通過客觀和形而上學(xué)的表達(dá)來實(shí)現(xiàn)項(xiàng)目的意義。
We insist on research as a design approach as each project bears its unique set of related issues. A critical probing into the specificities of program, site, function and history is essential to the creation of rigorous design work. Based on research, we desire to anchor our work on the dynamic integration of experience, detail, materiality, form and light rather than conforming to a formulaic style. The ultimate significance behind each project comes from how the built form creates meaning through its physical and metaphysical representations.
我們了解背景非常重要羡棵，但是我們也要知道建筑從來不是簡(jiǎn)單的理性思考的結(jié)果或者源于背景壹若。建筑一定會(huì)反映個(gè)人的想法，以及文化情懷皂冰，我們并不掩飾這份傳承店展。我們的生活的世界讓我們理解并記住我們的身份，根植于這個(gè)身份的不止是我們共同的中國人血統(tǒng)秃流，同時(shí)也一定包括我們的教育赂蕴，啟蒙老師，我們對(duì)事物的不斷探索舶胀，和我們各自的執(zhí)念概说。我們執(zhí)著于我們的文化身份以及其所代表的價(jià)值觀碧注，通過上海和倫敦的辦公室和設(shè)計(jì)團(tuán)隊(duì)，實(shí)踐于國內(nèi)和國際舞臺(tái)糖赔，希望用重新詮釋的中國美學(xué)沖擊被誤解的中國形象萍丐。
We recognize the importance of content, but we are also keenly aware that architecture has never arisen from purely rational thinking or directly as a result of its context. It has always reflected personal and cultural aspirations and ideals and we do not shy away from that heritage. Our constructed world enables us to understand and remember who we are, and embedded in that identity is not only our shared Chinese heritage, but certainly our education, our mentors, our continual exposure to ongoing discourse, and our personal obsessions. We have indeed been obsessed with our cultural identity and its representative value both within the national borders and on the global stage. We operate on many shores, from our Shanghai office to our London office and desire to challenge China's misrepresented image, while contributing to the defining of a re-iterpreed Chinese aesthetic.
在這個(gè)快速發(fā)展的城市并且緊張的工作節(jié)奏中，不一會(huì)兒我們可能就會(huì)忘記我們?yōu)槭裁磥淼竭@兒放典，為什么來找這份工作逝变，而不是其他。每一天都有積極的奋构、消極的壳影、對(duì)的、錯(cuò)的聲音進(jìn)入我們的大腦声怔，我們也就像一輛剛開到城市中的小汽車态贤，因?yàn)閾頂D的交通環(huán)境，不一會(huì)兒就迷路了醋火。找到對(duì)的路遠(yuǎn)比跟隨他人重要悠汽，看似表面的忙忙碌碌其實(shí)意義并不大。很享受一個(gè)人周末穿梭在城市中芥驳，因?yàn)檫@個(gè)時(shí)間沒有人打擾柿冲，可以自由的思考，可以為上一周的生活做一個(gè)總結(jié)兆旬，也可以制定下一周的計(jì)劃假抄，很多時(shí)候不是我們不知道自己想要什么，而是我們根本不舍得給予自己時(shí)間去思考這些丽猬，因?yàn)樗⑽⒉┧⑴笥讶孟窀泳o迫宿饱。每次參加完活動(dòng)，都想要記錄下來脚祟，但是因?yàn)榉N種的惰性拖延谬以，讓這些記憶漸漸銷聲匿跡，所以我們不能很準(zhǔn)確的說出這些時(shí)光都經(jīng)歷了哪些由桌，都獲得了哪些为黎，這也是我開始記錄的主要原因。設(shè)計(jì)其實(shí)更多地時(shí)間應(yīng)該用于獨(dú)立思考行您，無論是用腦袋還是畫筆铭乾，它絕不是機(jī)械性的記錄收藏，這也正是它最迷人的地方娃循，因?yàn)榭傆懈玫南敕俺鰜碜屇闩d奮不已炕檩。在接受別人的觀點(diǎn)的同時(shí)，千萬不要忘了自己的思考捌斧，而最好的時(shí)間正是周末行走在城市愜意的午后笛质。
