1920 - 1929
ROBES DE STYLE
In stark contrast to the streamlined dress of the “modern woman” with its straight lines, often emphasized by geometric decoration, a much softer and more romantic silhouette survived beyond the late 1910s.
The most prominent feature of this feminine style was a very full skirt that sometimes required support by the means of side-hoops — stiff understructures shaped like small baskets and worn over the hips.
The Paris couturier Jeanne Lanvin is most associated with this type of dress, which was particularly suitable for younger ladies.
The so-called robe de style was inspired by 18th-century gowns and was more forgiving than androgynous 1920s shapes.
The vast expanse of the skirt provided a large, blank canvas that could be filled with embroidery, artificial flowers, lace, and feathers.
DOLLY SISTERS
The Hungarian-born twin dancers Roszika and Janszieka Deutsch were known less for their stage act than for their matching outfits, often provided by Jean Patou, and their spectacular private lives acted out on the French Riviera, in nightclubs and casinos.
The ostrich feather skirts of their windmill costumes echo the robe de style silhouette.
FANS
The 1920s probably saw the last flowering of the fan as a fashionable evening accessory.
Restaurants and nightclubs used printed paper fans for advertising, and perfume companies doused them in scent.
Large fans made of ostrich feathers were particularly popular since the plumes could be dyed any color — to match or contrast with the wearer’s outfit.
As here, ostrich feathers were also used in their natural colors.
1920 - 1929
長袍派風(fēng)格
形成鮮明對比的是直線條禮服與流線型“摩登女郎”腻异，通常強(qiáng)調(diào)幾何裝飾递惋，這種更柔軟更羅曼提克的輪廓在二十世紀(jì)10年代后幸存下來。
女性風(fēng)格中最突出的特征是一種有時需要側(cè)邊支撐的非常飽滿的裙子关斜，堅固的底部結(jié)構(gòu)形狀就像小籃子，并且穿戴在整個臀部上蒲牧。
巴黎時裝屋的Jeanne Lanvin最擅長這種類型的裙裝造虎，它們特別適合年輕女士們谦疾。
所謂的長袍派風(fēng)格励稳，靈感來自十八世紀(jì)長袍佃乘，當(dāng)時的款式對男女都同樣適穿。
寬大的裙子為刺繡驹尼，人造花朵趣避，花邊與羽毛裝飾的設(shè)計提供了大量空間。
洋娃娃姐妹花
匈牙利出生的雙胞胎舞者Roszika與Janszieka因為她們的雙胞胎服裝造型而名聲大噪新翎，服裝由Jean Patou提供程帕，她們壯觀的私人現(xiàn)場演出通常舉辦在法國里維埃拉，夜總會與賭場地啰。
而她們的鴕鳥羽毛裙也是當(dāng)時長袍風(fēng)格服飾的縮影愁拭。
扇子
二十世紀(jì)20年代，可能是扇子作為配飾在時尚晚宴上出現(xiàn)的最后一瞥亏吝。
餐廳和夜總會用印刷紙質(zhì)扇子作廣告宣傳岭埠，而香水公司則用香氛浸泡它們。
由鴕鳥羽毛制成的大型折扇非常受歡迎顺呕，因為羽毛可以染成任何想要的顏色來搭配或?qū)Ρ却┲叩姆棥?/p>
同樣枫攀，鴕鳥羽毛也常使用原始的顏色括饶。
