第三講：把家具清單變成文學(xué)
Perhaps it is the way God opens houses at dead of night when He is taking a quiet turn with an angel……
‘O-oh丧枪！’The Burnell children sounded as though they were in despair. It was too marvelous; it was too much for them. They had never seen anything like it in their lives. All the rooms were papered. There were picture on the walls, painted on the paper, with gold frames complete. Red carpet covered all the floors except the kitchen; red plush chairs in the drawing-room , green in the dining-room; tables, beds with real bedclothes, a cradle, a stove, a dresser with tiny plates and one big jug. But what Kezia liked more than anything, what she liked frightfully, was the lamp. It stood in the middle of the dining-room table, an exquisite little amber lamp with a white globe. It was even filled all ready for lighting, though of course you couldn’t light it. But there was something inside that looked like oil and that moved you shook it.
作者翻譯
也許，當(dāng)夜深人靜国拇，上帝與天使一起來巡視人間時(shí)史翘，也是以這種方式拱镐，打開每一家的門吧关霸。
“喔——喔”博內(nèi)爾家的小孩驚喜地叫了起來离熏。簡直太美妙了，太出乎意料了址遇。他們出生以來熄阻，從未見過這樣的東西呢。所有的房間都糊上了壁紙傲隶，墻上還掛著畫饺律，是畫在壁紙上的，還有金色的框框跺株。除了廚房之外复濒，所有地板都鋪上了紅色的地毯，客廳里擺著紅絲絨椅子乒省，餐廳里則是綠絲絨椅子巧颈。有桌子，有鋪著真正床單的床袖扛，一個(gè)小搖籃砸泛，一個(gè)火爐，一個(gè)五斗柜蛆封，上面擺放著一疊小碟子唇礁，后一個(gè)尖嘴大水壺。但是姬采儀最喜歡的惨篱，喜歡得要命的盏筐，卻是那盞燈，它擺在餐桌的正當(dāng)中砸讳，有乳白色的燈罩與湖泊底座琢融，像是已裝滿了油，隨時(shí)可點(diǎn)燃呢簿寂。當(dāng)然啦漾抬，你是無法點(diǎn)亮的。但是常遂，燈里卻裝有像有一樣的東西纳令，搖擺它還會(huì)晃動(dòng)呢。
我的翻譯
沉寂的夜里克胳，可能這就是上帝打開屋子的方式泊碑。同時(shí)，他還和一個(gè)小天使談?wù)撝D(zhuǎn)變毯欣。
“哦馒过！”Burnell家的孩子們發(fā)出了聽似絕望的叫聲。太不可思了酗钞！他們不敢相信自己的眼睛腹忽。這輩子来累，他們從沒看過這樣的東西。所有的房間都貼上了壁紙窘奏。墻紙邊緣金光閃閃嘹锁，里面沾滿了圖片。除了廚房着裹，所有的地毯都鋪上了紅地毯领猾。畫室里有鋪了紅毛絨的椅子，餐廳的椅子則是綠色骇扇。紅色被單的床摔竿，還有支架，爐子少孝，一間裝有小盤子和大水壺的碗櫥继低。但是Kezia最喜歡的，最想要的是那盞臺(tái)燈稍走。它立在餐廳桌子的中央袁翁，燈罩是白色，精致得想一個(gè)琥珀婿脸×皇ぃ看起來像是要亮了，可是打不開狐树。但臺(tái)燈內(nèi)部看起來像是有燃料年柠，驅(qū)使著你去點(diǎn)燃它。
自評(píng)
文采：作者是從哪些角度描寫玩具屋內(nèi)部構(gòu)造的褪迟？怎么描寫小孩見到這么精致玩具的驚訝之情？如何把家具清單寫出文學(xué)美感答憔？
故事：“也許味赃，當(dāng)夜深人靜，上帝與天使一起來巡視人間時(shí)虐拓，也是以這種方式心俗，打開每一家的門吧∪鼐裕”此處有故事之感城榛。
邏輯：“paper”為什么翻譯成“壁紙”而不是“紙”？作者描寫的玩具屋內(nèi)九項(xiàng)物件各有什么特色态兴？為何玩具屋會(huì)引起小孩子的驚嘆狠持？
