“追夢(mèng)”生活藝術(shù)展廳棘脐,廣東 / 艾克建筑設(shè)計(jì)
項(xiàng)目標(biāo)簽
設(shè)計(jì)公司:艾克建筑設(shè)計(jì)
位置:中國(guó)
類型:建筑
標(biāo)簽:Guangdong?Interior design?Shantou?室內(nèi)設(shè)計(jì)?廣東?汕頭
感謝AD ARCHITECTURE?予gooood分享以下內(nèi)容晃痴。更多關(guān)于:AD ARCHITECTURE on gooood.
Appreciation towardsAD ARCHITECTURE?for providing the following description:
“灰色空間中,一輪紅色陀螺繞著中心支點(diǎn)高速轉(zhuǎn)動(dòng)著祥绞,邊沿引力持續(xù)生成與中心支撐相互抗拒著姓惑,凝視在無盡的旋轉(zhuǎn)中操灿,讓人墜入夢(mèng)境的深淵,神秘拐纱、幽暗铜异、迷離重疊……”,人皆有夢(mèng)秸架,這是一種虛幻卻真實(shí)的體驗(yàn)揍庄,近乎夢(mèng)境為思考無限提供了更多的空間,超越了現(xiàn)實(shí)空間界限咕宿,在夢(mèng)境中追逐币绩、探索與征服,反觀人格中的本我府阀、自我與超我缆镣,或許這亦是現(xiàn)實(shí)生活中沉思的邀請(qǐng),便有了追夢(mèng)试浙。
“In the gray space, a red gyro rotates at a high speed around the center fulcrum. The gravitational force at the edge continues to be generated and resists the center support. A gaze in the endless rotation causes people to fall into the abyss of dreams, mysterious, dark and overlapping…”, everyone has a dream, which is an illusory yet real experience. Dreams provide more space for people to think about infinity, transcending the boundaries of real space, chasing, exploring and conquering in dreams while looking backward at the self and superego in personality. Perhaps it is also an encouragement for people to contemplate in real life. And that’s why we call it Dreams-Chasing.
▼視頻董瞻,video
項(xiàng)目位于郊區(qū)一座賣場(chǎng)的樓層內(nèi),空間目標(biāo)主要用于展示家具和床墊田巴,設(shè)計(jì)師將其定義為生活藝術(shù)展廳钠糊。場(chǎng)地為東西向狹長(zhǎng)的矩形空間,標(biāo)準(zhǔn)型柱網(wǎng)結(jié)構(gòu)壹哺,南北墻面窗戶均勻分布抄伍,空間形式單一」芟基于對(duì)空間的巧思構(gòu)想截珍,設(shè)計(jì)師將項(xiàng)目背景推向夢(mèng)境邊沿,借“以物為實(shí)箩朴,空間為虛岗喉,游夢(mèng)為境”的概念,探討有限空間結(jié)構(gòu)條件下炸庞,多元意義的展廳空間钱床。
The project is located inside a mall in the suburbs. The space is mainly targeted for displaying furniture and mattresses. The designer defines it as life & art showroom. The site is a narrow rectangular space in east-west direction, with a standard column grid structure and evenly distributed windows on the north and south walls, resulting in a single spatial form. Based on the ingenious conception of space, the designer pushes the background of the project to the edge of the dream, and explores the diverse meanings of showroom space under the condition of limited space structure through the concept of “taking objects as reality, space as virtual, and dreams as the world”.
▼空間重構(gòu)詳解圖,the detailed diagram of the spatial restructuring
通過對(duì)形體體量細(xì)化埠居,多變的幾何形體既作為空間分割又獨(dú)立于空間中查牌。圓弧形體事期,使充滿張力的空間增強(qiáng)了趣味,缺失的洞口纸颜,既暗示著每一個(gè)未知空間的開始刑赶,又使空間相互滲透。傾斜的墻體懂衩,指向未知的邊緣。多重形體及空間的疊加下金踪,將觀者引向夢(mèng)境與現(xiàn)實(shí)之間浊洞。空間不再局限展示胡岔,更是一個(gè)能被感知的空間法希,從而產(chǎn)生主觀的體驗(yàn)和記憶。
▼前臺(tái)靶瘸,圓弧墻體使充滿張力的空間增強(qiáng)了趣味苫亦,the reception, the arc-shaped wall?adds fun to the space that is filled with tension
▼從休息區(qū)看前臺(tái),viewing from the rest area to the reception
▼放映區(qū)怨咪,圓弧墻體使充滿張力的空間增強(qiáng)了趣味屋剑,reflecting area, the arc-shaped form adds fun to the space that is filled with tension
▼床墊展示區(qū)匠楚,展廳內(nèi)的傾斜墻體指向未知的邊緣,mattress display area,?the sloping wall seems to point to an unknown edge
By refining the volume of the form, the versatile geometry functions as division of space while independent from the space. The arc-shaped form adds fun to the space that is filled with tension, and the missing hole not only implies the beginning of each unknown space, but also allows the spaces to penetrate each other. A sloping wall seems to point to an unknown edge. Under the superposition of multiple forms and spaces, the viewers are guided into a world between dream and reality. The space is no longer limited to displaying, instead it is a space that can be perceived, thus generating subjective experience and memory.
▼家具展示區(qū)梅鹦,圓弧墻體上缺失的洞口既暗示著一個(gè)未知空間的開始,又使空間相互滲透茉帅,the furniture display area, the missing hole on the arc-shaped?wall not only implies the beginning of each unknown space, but also allows the spaces to penetrate each other
空間為虛剑鞍。事實(shí)上,虛是一種狀態(tài)久妆,在這種空間狀態(tài)下,敘事被允許不按事件發(fā)生順序呈現(xiàn),為規(guī)避單一線性空間形態(tài),設(shè)計(jì)起初將空間中與結(jié)構(gòu)結(jié)合的非承重隔墻打開,簡(jiǎn)潔、純粹的幾何形體穿插結(jié)構(gòu)框架中,原始空間被分解重構(gòu),創(chuàng)造出形態(tài)各異又相互連接的空間娇澎,既內(nèi)又外,空間界限模糊睹晒。
Space is virtual. In fact, in the virtual state, the narratives are allowed not to be presented in the order of events. To avoid a single linear space form, the design opens the non-load-bearing partition wall that combines the structure from the very beginning. Simple and pure geometrical form is interspersed in the framework of structure, and the original space is decomposed and reconstructed, creating spaces of different shapes and interconnections, both inside and outside, thus the boundaries of space are blurred.
▼家具展示區(qū)趟庄,簡(jiǎn)潔、純粹的幾何形體穿插展廳的結(jié)構(gòu)框架中伪很,the furniture display area, simple and pure geometrical form is interspersed in the framework of structure
以物為實(shí)岔激。從空間記憶走向共情,物是生活的精神載體是掰,是觀者在空間中的信物,情感的延續(xù)辱匿,以自由的形式呈現(xiàn)键痛,將生活流露于空間之中,回歸生活的本質(zhì)匾七。游夢(mèng)為境絮短,觀者自觀。
Objects as reality. From spatial memory to empathy, objects are the spiritual carrier of life, the viewers’ token in space, and the continuation of emotions, presented in the form of freedom, revealing life in space and returning to the essence of life. Take dreams as the world, where the viewers are in self-observation.
▼展廳空間細(xì)節(jié)昨忆,靜謐的光影空間丁频,details of the exhibition space with a light and shadow effect
▼形體概念,geometric forms
▼模型照片邑贴,physical model
▼平面布置及結(jié)構(gòu)圖席里,floor plan & structural plan
項(xiàng)目名稱:追夢(mèng)∣生活藝術(shù)展廳
設(shè)計(jì)機(jī)構(gòu): AD ARCHITECTURE∣艾克建筑設(shè)計(jì)(WWW.ARCH-AD.COM)
總設(shè)計(jì)師:謝培河
設(shè)計(jì)團(tuán)隊(duì):艾克建筑
施工團(tuán)隊(duì):艾克工程
項(xiàng)目地點(diǎn):廣東汕頭
建筑面積:480㎡
主要材料:混凝土、白色乳膠漆拢驾、黑色乳膠漆奖磁、膠地板
設(shè)計(jì)時(shí)間:2018年9月
竣工時(shí)間:2018年12月
攝影師:歐陽云
Project name: Dreams-Chasing | Life & Art Showroom
Design company: AD ARCHITECTURE (WWW.ARCH-AD.COM)
Chief designer: XIE Peihe
Design team: AD ARCHITECTURE
Construction team: AD CONSTRUCTION
Project location: Shantou, Guangdong, China
Building area: 480 m2
Main materials: concrete, white latex paint, black latex paint, plastic flooring
Design time: September, 2018
Completion time: December, 2018
Photographer: Ouyang Yun
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