銅鏡就是古代用銅做的鏡子俄占。在古代录别，銅鏡與人們的日常生活有著密切關(guān)系放坏，是人們不可缺少的生活用具访圃。銅鏡又是精美的工藝品蝌数。它制作精良想暗，形態(tài)美觀嚷量，圖紋華麗镇饮，銘文豐富取逾，是我國古代文化遺產(chǎn)中的瑰寶耗绿。它的質(zhì)料包括金、銀砾隅、銅误阻、鐵等，以銅最為多，也有鍍金銀的究反、背面包金銀的寻定、或鑲嵌金銀絲的。隋唐以來精耐，還有帶柄的狼速、四方的，各種花紋應(yīng)有盡有卦停。
The mirror is made of bronze mirrors in ancient times. In ancient times, there is a close relationship between the mirror and the daily life of people, is an indispensable tool of life. The mirror is exquisite handicrafts. It is well produced, beautiful shape, gorgeous figure pattern, rich inscriptions, is the treasure of our ancient cultural heritage. Its materials, including gold, silver, copper, iron and so on, with the most of copper, there are also gold plated, silver, gold or silver, or mosaic of gold and silver wire. Sui and Tang Dynasties, and with a handle, square, all kinds of patterns.
西漢初期至武帝時(shí)期向胡，銅鏡逐漸厚重，紐多作半球形惊完，或作柿蒂形僵芹。圖案布局和紋路也有新的變化，主題紋飾素樸小槐，圖案結(jié)構(gòu)簡單拇派，改變了戰(zhàn)國時(shí)期那種嚴(yán)謹(jǐn)?shù)募?xì)密風(fēng)格。西漢晚期至東漢中期凿跳，規(guī)矩鏡成為最精美的類型件豌，紋飾以四神為主，圖案有四神拄显、動(dòng)物苟径、禽鳥及群邪、羽人之類躬审，活潑生動(dòng)棘街。紋飾布局突破了"心對稱"古樣設(shè)計(jì)，出現(xiàn)了"軸對稱"式新風(fēng)格承边。而到宋代在經(jīng)濟(jì)和科學(xué)技術(shù)上有較大的進(jìn)步遭殉，反映在銅鏡工藝發(fā)展上又出現(xiàn)了一個(gè)高潮。但由于銅的產(chǎn)量所限博助，宋朝銅禁比較嚴(yán)险污，直接導(dǎo)致銅制品不多，精美的銅鏡存世量就很稀少了富岳。
The early Western Han Dynasty to Emperor Wu of Han Dynasty, bronze mirrors gradually thick, more new hemispherical or persimmon shape. The pattern and texture also have new changes, theme decoration simple pattern, simple structure, changes in the Warring States period that rigorous fine style. The late Western Han Dynasty to the mid Eastern Han Dynasty, the rules become the most exquisite mirror type, ornamentation to Sishen, patterns, animal, birds and Qunxie Sishen, feather like, lively. The layout of the pattern breaks through "the symmetry of the heart" and the new style of "axial symmetry". To the Song Dynasty in economy and science and technology has great progress, reflected in the mirror of technology development and the emergence of a climax. But due to the limited production of copper, the copper can directly lead to relatively strict, copper products are not many, the mirror exquisite is very rare.
此面銅鏡直徑 9 cm? 厚? 3? cm? 極有時(shí)代特征蛔糯。鏡形為圓形，取圓滿窖式、團(tuán)圓蚁飒、吉祥之意。銅鏡上的雙魚紋飾萝喘，均作旋轉(zhuǎn)對稱狀淮逻，占據(jù)了整個(gè)鏡背的空間琼懊。從紋飾造型看，多采取現(xiàn)實(shí)主義的手法爬早。魚張口鼓鰭哼丈，尾鰭翻折，大鱗片鰭筛严。高浮雕的雙魚紋四周一般有動(dòng)感強(qiáng)烈的水波紋醉旦，浪花團(tuán)團(tuán)，層疊有序;水面寧靜;脑漫，以虛代水髓抑。雙魚前后左右裝飾的浪花、使得兩條頭尾相接的魚兒充滿活力优幸，更顯親熱，生動(dòng)地再現(xiàn)了雙魚在水中暢游的場景褪猛。水波紋較強(qiáng)的畫面裝飾作用使得雙魚紋鏡圖案更加的生動(dòng)鮮活网杆，生動(dòng)地表現(xiàn)了雙魚在泛波的水流中浮游覓食的活潑狀態(tài)。雙魚紋鏡以其靈動(dòng)的生活氣息伊滋，高超的藝術(shù)審美情趣碳却，精湛細(xì)膩的鑄塑工藝，為中國古代銅鏡文化增添了濃墨重彩的一筆笑旺，讓世人為之贊嘆不已昼浦。雙魚紋鏡上的魚紋，形象寫實(shí)筒主，豐滿生動(dòng)关噪，并與水波紋、漣漪乌妙、水草配映一起使兔，使畫面洋溢著一股幸福、吉祥藤韵、歡樂的情趣虐沥，因而格外招人喜愛。雙魚紋銅鏡更是世人祈求多子多孫的意愿表達(dá)泽艘。略有不足的是此面雙魚鏡的紐扣已經(jīng)去掉了欲险，但其合適的尺寸，反而使其擁有更為廣泛的用途匹涮，不在拘泥于裝飾收藏天试。
The early Western Han Dynasty to Emperor Wu of Han Dynasty, bronze mirrors gradually thick, more new hemispherical or persimmon shape. The pattern and texture also have new changes, theme decoration simple pattern, simple structure, changes in the Warring States period that rigorous fine style. The late Western Han Dynasty to the mid Eastern Han Dynasty, the rules become the most exquisite mirror type, ornamentation to Sishen, patterns, animal, birds and Qunxie Sishen, feather like, lively. The layout of the pattern breaks through "the symmetry of the heart" and the new style of "axial symmetry". To the Song Dynasty in economy and science and technology has great progress, reflected in the mirror of technology development and the emergence of a climax. But due to the limited production of copper, the copper can directly lead to relatively strict, copper products are not many, the mirror exquisite is very rare.
銅鏡目前市場價(jià)比較高，拍賣價(jià)值更高焕盟。而且升值空間很大秋秤，極具收藏價(jià)值宏粤，銅鏡進(jìn)入拍賣領(lǐng)域的時(shí)間并不短，但真正為收藏愛好者所了解是始于2004年初中國嘉德推出的銅鏡專場灼卢，當(dāng)時(shí)的全部拍品均為民國時(shí)期知名收藏家關(guān)祖章先生的舊藏绍哎。參拍的143面銅鏡都以高于預(yù)期的價(jià)格順利成交。其中唐代脫銀庭院仕女游樂圖銅鏡以45.1萬元的價(jià)位成交鞋真，成為了內(nèi)地銅鏡拍賣的最高價(jià)崇堰。此后，嘉德一直引領(lǐng)銅鏡拍賣涩咖。2006年的嘉德春拍推出臺灣藏家息齋藏鏡及中國歷代銅鏡拍賣海诲，共上拍銅鏡168方，成交率57.74%檩互，共97件特幔，成交額490.68萬元；2007年秋拍銅鏡專場數(shù)量200件闸昨，成交額595.94萬元蚯斯。2009年春拍中隋唐十二生肖四神鏡拍至112萬元，秋拍中唐代海獸葡萄鏡以268.8萬元成交饵较。2010年有5家拍賣公司舉辦銅鏡專場拍嵌，其中唐代海獸葡萄鏡以700萬元成交，打破了銅鏡拍賣的紀(jì)錄循诉。
The early Western Han Dynasty to Emperor Wu of Han Dynasty, bronze mirrors gradually thick, more new hemispherical or persimmon shape. The pattern and texture also have new changes, theme decoration simple pattern, simple structure, changes in the Warring States period that rigorous fine style. The late Western Han Dynasty to the mid Eastern Han Dynasty, the rules become the most exquisite mirror type, ornamentation to Sishen, patterns, animal, birds and Qunxie Sishen, feather like, lively. The layout of the pattern breaks through "the symmetry of the heart" and the new style of "axial symmetry". To the Song Dynasty in economy and science and technology has great progress, reflected in the mirror of technology development and the emergence of a climax. But due to the limited production of copper, the copper can directly lead to relatively strict, copper products are not many, the mirror exquisite is very rare.
銅鏡本身是一種工藝美術(shù)品横辆，鏡子的背面一般都鑄有精美的紋飾或文字，這些紋飾的圖案造型與銘文茄猫，往往濃縮了各歷史時(shí)期的社會思想觀念與審美情趣狈蚤，它制作精細(xì)，既體現(xiàn)了較高的工藝制作技術(shù)水平募疮，又具有很高的藝術(shù)價(jià)值炫惩。
The mirror itself is a kind of Arts and crafts, the back of the mirror is generally cast with exquisite ornamentation or text, the decoration pattern and inscriptions, often concentrated in different historical periods of social ideology and aesthetic taste, it embodies the production of fine, high production technology level, and has a very high art value.
青銅鏡被使用了近4,000年，它已經(jīng)超越了日常生活中照面飾容的用途阿浓，深深融入了我們的社會生活和文化意識他嚷，譬如人們常說的「破鏡重圓」、「明鏡高懸」芭毙、「以史為鑒」（古書「鑒」與「鏡」辰畋停互通）等等，都反映出銅鏡文化已經(jīng)成為中國文化的一個(gè)組成部分退敦。更使銅鏡收藏持續(xù)升溫粘咖，為世人所喜愛。
The bronze mirror was used for almost 4000 years, it has gone beyond the use of daily life in the face decoration, deeply rooted in social and cultural life of our consciousness, such as people often say "a broken mirror joined together" and "an honest official" and "history" ("ancient Kam" and "mirror" and so on, are often exchange) the mirror reflects the culture has become an integral part of Chinese culture. The bronze mirror collection continues to heat up, for the people of the world love.
