BEAUTY
美
Beauty is a perceived slate of pleasing aesthetics; the opposite of ugliness, with plainness being a neutral condition in between. Beauty is a subjective determination, but also may be the product of objective factors.
美是一種令人愉悅的感覺;丑惡是它的反義詞岂津，而樸素是介于兩者之間的一種中性狀態(tài)虱黄。美是一種主觀的導(dǎo)向，也可能是客觀因素的產(chǎn)物。
The notion of an objective definition of beauty is often challenged, but in most cases sufficient objective elements exist to result in numerous individuals agreeing that a person, place, or thing is beautiful.Elements may be identified that, if changed, would reduce the beauty of an object; or their reproduction would render different objects similarly beautiful.
關(guān)于美的客觀定義的概念經(jīng)常受到挑戰(zhàn)，但在大多數(shù)情況下危纫，存在足夠的客觀因素契耿，導(dǎo)致許多人同意一個(gè)人、一個(gè)地方或一件事物是美的锅棕。這些因素可以被識(shí)別，如果改變，將減少一個(gè)事物的美；或者如果再生將使不同的事物擁有同樣的美。
Beauty may be found through any physical sense (such as visual auditory, or olfactory), or in some combination of senses, or even in abstractions, such as when?the?personality of an individual or the functionality of a thing is said to make them beautiful.
美可以通過身體感官感覺到(如視覺、聽覺或嗅覺)桨仿，或者是某些感官的組合，甚至在抽象的事物中瘪校，例如一個(gè)人的個(gè)性麻惶，或者一個(gè)事物的功能使他變得美麗警没。
Beauty may also result from the use of languages in an elegant and pleasing fashion. Assuming that not only human speech, but also mathematics, music, painting, cooking, dance, and indeed most human endeavors develop a language over time, use of that language can result in a perception of beauty.Universally human themes be expressed to such a degree that even those who are not fluent in the language can appreciate it. Thus, a beautiful poem in a foreign language may be appreciated for its rhythm and lyricism even though it is not understood.
美也可能來自于語言的優(yōu)雅和愉悅地使用浅碾。假設(shè)不僅是人類的語言埂陆，數(shù)學(xué)、音樂躯畴、繪畫丰嘉、烹飪、舞蹈，以及大多數(shù)人類的努力確實(shí)會(huì)隨著時(shí)間的推移而發(fā)展成一種語言砰识，使用這種語言可以產(chǎn)生美感。普遍的人類主題已經(jīng)被表達(dá)到這樣一個(gè)程度，即使那些不精通語言的人也能欣賞它。因此狞换，一首優(yōu)美的外語詩，即使不為人所理解，也會(huì)因其韻律和抒情而被欣賞撤师。
In almost all cases, greater understanding of the language is rewarded with the possibility of expanded beauty. Knowing the language of the poem allows its story to unfold. Knowing the rules of poetry allows appreciatjon of how the rules are followed and how they are defied.Familiarity with described experiences allows metaphors to touch the heart, and knowing uncommon references allows deeper understanding.
在幾乎所有的情況下湾笛，對(duì)語言的更深入的理解會(huì)帶來美的擴(kuò)展。懂得這首詩的語言可以讓它的故事展開杆勇。理解詩歌的規(guī)則可以讓我們欣賞這些規(guī)則是如何被遵循和突破彪笼。熟悉所描述的經(jīng)驗(yàn)可以讓隱喻觸動(dòng)心靈，而了解不常見資料可以讓我們更加深入的理解腐巢。
Overexposure to a beautiful object or over-repetition of its extracted traits may dull appreciation, though there appear to be??some traits (such as proportional relationships)that endure. Consequently, notions of beauty can change over time.
對(duì)一個(gè)美麗的物體而言，過度暴露或?qū)ζ涮崛〕鰜淼奶卣鬟^度重復(fù)诵盼，可能會(huì)使欣賞變得枯燥银还，雖然似乎存在著一些持久的特征(如比例關(guān)系)孝扛。因此蹄溉，美的概念會(huì)隨著時(shí)間的推移而改變法瑟。
Aspects of beauty are subject?tocommercializationdaiization and marketing, as well as fads. The language of beauty may be commandeered by social elites who assign meanings that are only accessible though some elite training or social achievement. Just as some argue that beauty is so subjective it cannot be discussed as a shared appreciation, others argue?that shared appreciation is so clouded by cultural influences that it can be better explained in terms of sexual politics, or class or racial politics, or the social history of a group, or even biological cues. Because they are many aspects of being human, these dialects impact the language of beauty, but they do not define it.
美的各個(gè)方面都受到商業(yè)化采郎、商品化、市場化以及時(shí)尚的影響。美的語言可能被社會(huì)精英所掌握竿开，他們賦予的意義只有通過精英訓(xùn)練或社會(huì)成就才能獲得列荔。正如有些人認(rèn)為美是如此主觀肌毅，不能分享討論，另一些人則認(rèn)為美的分享受到文化環(huán)境如此大的影響，以至于可以從性政治锭汛，階級(jí)或種族政治蔚袍，或群體的社會(huì)歷史宇整，甚至是生物學(xué)的線索，來更好地解釋融涣。因?yàn)樗鼈兪侨祟惖姆椒矫婷娓罚@些方面影響著美的語言，卻沒有定義她简逮。
